Art gallery price tag template
This is very helpful. Would you do anything differently if labeling the back of a printed copy that will be handed out vs.
Bonus question: on back of artwork, would you place information at top, bottom, in a corner? Thank you for sharing your knowledge. I want to get this just right.
How does one label a 4 part series displayed together. The work has one title, but each piece is then labeled No. Is that relevant info to place on the label? Where would it go and how would it be worded? Hi the size of the art work is it measured from frame boarder to frame boarder or from the paintings work prior framing?
Also, what is the correct procedure to acknowledge the art work in the stile of another artist work? Hi Renato — usually the size of a work does not include the frame, unless the frame is part of the artwork. There is no correct procedure for acknowledging the style of another artist in your own work — use your best judgement!
Pingback: Preparing for assessment sue's painting. Hi, Ive been searching, But what is the standard size? Im doing several showcases this year and I want them to look perfect! My work is acrylic on canvas. Any suggestions? How does one label artwork where the title is unknown? I have two pieces from a larger series by a now-deceased artist. Next to the price?
As it s an international fair art show would u recomend i put sizes both in centimetres and inches? For pieces where the imageis17x24 and you have a 1inch border, making the paper size 18 x What size do you use in the description? When you jury or apply for a show and you are labeling your piece.. Do use image size, paper size or frame size?
Your story-telling style is witty, keep it up! Do you have any tips for inexperienced blog writers? Great Piece. Keep up the great work. Pingback: zzmag. This has been very helpful. The CEO has several originals but also numbered prints as well as framed postcards and posters. How do you notate that? You are commenting using your WordPress. You are commenting using your Google account. You are commenting using your Twitter account. You are commenting using your Facebook account.
Notify me of new comments via email. Notify me of new posts via email. A couple of vinyl cutters in Vancouver include: Allegra Press Disc Imaging Signmaster Signs Map Making a map of the gallery is a good option if you want to keep the walls around your work entirely clear of other information or distractions.
Adhesive labels If you do not want to go to the expense of having custom vinyl cut for labels, you can use traditional printer labels to display your information. Rate this:. Share the love: Click to share on Twitter Opens in new window Click to share on Facebook Opens in new window Click to share on Pinterest Opens in new window Click to share on Tumblr Opens in new window Click to print Opens in new window Click to email this to a friend Opens in new window.
Like this: Like Loading This was very helpful and timely as I am having an exhibition in June. Congrats from a fellow Vancouverite. Do they stick to the wall though? Will only be up for about 3 days. Superb post and the information given in this blog is really good. Thank you! There is no hard rule, but yes, separating the info with commas would work well. If I have a piece that is acrylic on paper that I have used gesso on, should I specify that?
Thank you for this helpful article! What if there is no wall and your art is on an easel? How do you attach a label?
The numbers corresponded with price lists that the gallery staff would hand out upon request. I can see the appeal of this approach. I see several problems with this arrangement, however. First, when the gallery is full and the staff busy, it can be difficult to get the attention of a staff member.
Second, printing a new pricelist every time inventory changed would be a chore. During our busy season, we may sell pieces in a day. Each shift in inventory would necessitate a newly printed price list. Prominently displaying the price also reassures clients that there is no funny business going on with the pricing.
I remember reading of a gallery in L. It also serves as a subtle reminder that we are not a museum, and that everything on display is for sale. I took it upon myself to create a database for the gallery that could print labels, thereby bringing them into the twentieth century. When I opened my own gallery, I knew that I wanted to have an inventory system that was integrated with our website and able to create wall labels for the art.
We played around with a number of different ways we could accomplish this. We would print all of the information about the art right on the label and then adhere it to the wall next to the piece.
These clear labels were subtle and worked on any color wall. Though the underlying system we use to create these labels has changed, the principle is the same. After we consign a piece of artwork from an artist and hang it in the gallery, we print a label and place it next to the piece of art on the wall.
We now use our online inventory system ARTsala. It provides similar functionality for artists who need to track inventory and print labels. One particularly handy feature of ARTsala is that it allows you to print a whole sheet of different labels if you have a lot of art to label, or it will allow you to print just one label if that is all you need.
You can run the label sheets multiple times through an inkjet printer, making it so that you never waste a blank label. Just as I try to hang all of the artwork at the same level, I try to get the labels at a uniform level as well.
For the sculpture in the gallery we stick the label to heavy, folded cardstock. This card then sits on the pedestal next to the sculpture. In addition to informational wall tags, we also display narratives next to a number of pieces in the gallery. If the artist has provided us with a story about a particular piece, we type it up on a half sheet of cardstock and use two-sided tape to hang the narrative next to the art.
These narratives are another great tool in the sales process. Many buyers enjoy learning the story and inspiration behind a piece.
Providing the work with a narrative allows those buyers who are interested to dive deeper and learn more. What approach do you use to label your artwork at a show or in your studio? How did you develop your system for labeling? Share your experience and thoughts in the comments below. Before I became an artist myself, when I would visit galleries, I wanted to know if a piece of work was even remotely within my price range before interacting with the staff about it.
True, I was younger then and more easily embarrassed , and also less affluent. But, if galleries hope to engage the next generation in buying art, perhaps it would be good not to have potential entry level buyers find visiting a gallery to be an awkward experience.
I use the same labeling technique that you do at your gallery. It is clear and concise and all the information is readily available. Recently, I have come across a service to have a tag with a QR code. For 25 cents, I get 30 MB video or audio space, self recorded, unlimited scans, no app required. It is so new I have only tried it once. I describe one of my kinetic still life paintings. I can see posting this next to a painting in a gallery and if the piece is sold, it could go along to the new owner.
Interesting concept. Or are you going to have earphones that everyone is given when entering the gallery, like a museum does? I think it a good idea but a bit noisy it the images are close together.
We use your typical avery blank business cards and print them up for each exhibit. I primarily exhibit in summer outdoor festivals. We underline the items on the left side. The catalogue is my own numbering system. If the piece is one of a series, that series number is also on the card in the title line. We typically give the client the gallery card and a business card when they make a purchase.. We also produce a handwritten receipt on a 3-part sales book for, which is personalized by the artist and signed by same.
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